{"id":1617,"date":"2022-02-10T12:39:27","date_gmt":"2022-02-10T11:39:27","guid":{"rendered":"https:\/\/www.silviagribaudi.com\/works_\/r-osa-_10-esercizi-per-nuovi-virtuosismi\/"},"modified":"2024-04-19T00:04:38","modified_gmt":"2024-04-18T22:04:38","slug":"r-osa-_10-esercizi-per-nuovi-virtuosismi","status":"publish","type":"works_","link":"https:\/\/www.silviagribaudi.com\/en\/works_\/r-osa-_10-esercizi-per-nuovi-virtuosismi\/","title":{"rendered":"R. OSA 10 Exercises for new virtuosities"},"content":{"rendered":"

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R. OSA 10 EXERCISES FOR NEW VIRTUOSITIES<\/h1>\n

[\/vc_column_text][vc_empty_space height=”20px”][vc_separator color=”black” align=”align_left” border_width=”3″ el_width=”10″][vc_empty_space height=”20px”][vc_column_text]R. OSA<\/strong> is a piece that is perfectly inscribed in Silvia Gribaudi\u2019s poetics; Silvia is a choreographer who, with a baffling irony, stages the expression of a body, of women and of the social role they are given, through an informal language, creating a relationship with the audience.
\nR. OSA<\/strong> is a piece in which the performer stages a \u201cone woman show\u201d, shifting the audience\u2019s gaze through a dramaturgy that is composed of 10 exercises of virtuosity.
\nR. OSA<\/strong> is an experience in which the audience are invited to become, voluntarily or not, protagonists of the artistic action on stage.
\nR. OSA<\/strong> is an insight about the way we look at others and what we expect from them, on the basis of our own preconceptions. The piece revolves around a challenge, the one to constantly go beyond one\u2019s limit.
\nR. OSA<\/strong> stages the revolution of the body, which revolts against gravity and shows its levity.<\/p>\n

The performance R. OSA<\/strong> is inspired by Botero\u2019s images, by Jane Fonda\u2019s 80\u2019s world, by the concept of success and performance. What is success? HOW DOES THE IMAGE MAKE US SLAVES? And how is the image of others used?<\/p>\n

In R. OSA – 10 exercises for new virtuosities, the spectator becomes active and entertained in a game where his or her view of dance, beauty and vitality is opened up to new, unexpected worlds. A game that, with the desecrating humour typical of Gribaudi\u2019s creations, succeeds in putting the spectator at ease, who becomes part of the performative action, to finally see reality with different eyes. Together, Gribaudi and Marsicano unleash an explosive poetic power. From the director\u2019s chair to the stage, they involve the audience in a breathtaking performance, capable of entertaining and questioning.<\/p>\n

 <\/p>\n

\u201cIn R. OSA by Silvia Gribaudi, Claudia Marsicano grasps all the lightness, freedom and disruptive desire to bet on her own, cumbersome physicality with a performance of dizzying bravura\u201d. Gabriele Rizza in IL MANIFESTO<\/p>\n

\u201cWith Gribaudi in the director\u2019s chair, Marsicano unleashes her own explosive, Junoesque power. […] She engages the audience in a breathtakingly wise performance, capable of entertaining and questioning. […] Not too many words are needed. Which is Silvia Gribaudi\u2019s style. Which shreds prose, tears down the fences of dance, picks up the shards of bourgeois culture. She makes a bundle of the stage habits and lights a bonfire of them, in the light of which she illuminates our being shattered by consumerism and empty appearances, to then lovingly recompose it.\u201d Vincenzo Sardelli in klpteatro.it[\/vc_column_text][vc_empty_space][vc_column_text]\"\"Finalist UBU Award – Best Dance Performance 2017<\/strong>[\/vc_column_text][vc_column_text]\"\"Claudia Marsicano – UBU Award 2017 Best actress\/performer Under 35<\/strong>[\/vc_column_text][vc_column_text]\"\"Finalist Rete Critica Award 2017<\/strong>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”1455″ img_size=”full” alignment=”center”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1577109682765{padding-right: 8% !important;padding-left: 8% !important;}”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

credits<\/u><\/h4>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1644323940008{padding-right: 8% !important;padding-left: 8% !important;}” el_class=”credits_txt”][vc_column width=”1\/2″][vc_column_text el_class=”credits_txt”]Concept, choreography and direction Silvia Gribaudi<\/strong>
\nPerformer Claudia Marsicano<\/strong>
\nLighting design Leonardo Benetollo<\/strong>
\nCostumes Erica Sessa<\/strong>
\nArtistic collaboration Antonio Rinaldi, Giulia Galvan, Francesca Albanese and Matteo Maffesanti<\/strong>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text el_class=”credits_txt”]Production Associazione Culturale Zebra, Silvia Gribaudi Performing Arts and La Corte Ospitale<\/strong>
\nCo-production Santarcangelo Festival<\/strong>
\nwith the support of Qui e Ora Residenza Teatrale<\/strong>
\nin collaboration with Armunia Centro di residenze artistiche Castiglioncello \/ Festival Inequilibrio, AMAT – Ass. <\/strong>Marchigiana attivit\u00e0 teatrali, Teatro delle Moire \/ Lachesi LAB – Milan and CSC Centro per la scena contemporanea <\/strong>– Bassano del Grappa.<\/strong><\/p>\n

Duration: 45 minutes<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row disable_element=”yes” css=”.vc_custom_1643024164958{padding-right: 8% !important;padding-left: 8% !important;}”][vc_column][vc_column_text]<\/p>\n

video trailer<\/u><\/h4>\n

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photo<\/u><\/h4>\n

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